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Hazel Bird project manages, copy-edits and proofreads sometimes dizzying quantities of interesting words for clients ranging from global academic and trade publishers to government policy units to publishers of creative non-fiction. Her focus is on developing dynamic collaborations with her clients in order to help make their goals a reality. Her biggest project to date was a twelve-volume international encyclopedia with over a thousand contributors. She lives in the stunning countryside of the Wye Valley in Herefordshire, UK, and spends her free time trying to corral her ancestors into some sort of order and attempting to offset a severe doughnut preoccupation with heavy lifting.
ABOUT THE BLOG
The Wordstitch Blog brings together my experience working in publishing on both sides of the client–freelancer relationship (often simultaneously). It aims to foster great working relationships, from a belief that the best text products (of whatever kind) emerge out of genuine collaboration and excellent communication.
- PMP or PRINCE2: which is most valuable as an accreditation for an editorial project manager?
- Editorial midwifery: why a love of language is not enough
- Keeping projects moving in a crisis by putting people first
- We are already surviving
- Psychological safety in editorial work
- Disengage, re-engage: 13 tips for proofreading text you’ve already copy-edited
- Difficult feedback: should you send it and, if so, how?
- When editorial project managers expect too much
Monthly Archives: March 2013
As a copy-editor, proofreader or indexer, you may think that getting yourself onto a publisher’s list is the Holy Grail of freelancing and will be enough to get you hired regularly.
However, it’s often the case that the people on publishers’ lists who receive regular work have done so for years, and always work with the same contacts. Newbies to the list, and freelancers whose contacts move on, may find themselves languishing at the bottom of the pile, receiving little or no work.
I’m a freelance editor and project manager, and as such I both try to get myself hired and hire other people. So, I’ve occasionally experienced that frustrating languishing feeling myself, but also found myself rejecting the same names on publishers’ lists time after time, project after project.
Let me explain why this might happen and what you can do about it.
Pin the tail on the donkey
I shepherd between 10 and 15 books a year through copy-editing, typesetting, indexing and proofreading.… read the rest >>